By J. J. Marshall
After results has been demonstrated because the world's strongest and low-budget answer for movement pics pros. the appliance has revolutionized the printed undefined. facts of the revolution used to be transparent while the mid-1990s printed a blinding array of visible artistry in advert campaigns and tv community promotions, the standard and the amount of which had by no means been seen.Version 5.0 was once a massive improve (3D, expressions, parenting, to call a couple of) and model 5.5 may perhaps not often be thought of a dot unencumber. actually extraordinary software program, this construct of After results boasts quite a few new positive aspects in addition to substantial improvements to its person interface. there are various new filters for concretizing any visible results that the brain can envision. also, After results 5.5 contains stronger 3D-compositing services, better command over expressions with the Expression Controls results, in addition to local help for OSX, between various different improvements.The After results Bible seems to be into each point of the appliance. no matter if you are thoroughly new to movement snap shots, or an skilled hand trying to find how you can get the main out of the hot improve, there's helpful, time-saving info to be present in each one bankruptcy. There are step workouts for every thing from growing advanced keyframe animations to animating cameras in 3D area. no matter if it really is learn from front-to-back or used as a computing device reference, the After results Bible belongs within the movement photograph designer's library.
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Additional resources for After Effects 5 Bible
734 734 737 740 741 742 742 743 743 744 744 745 745 747 748 749 Chapter 27: Wiggling, Tracking, and Stabilizing . . . . . . 751 Randomizing with The Wiggler (PB only) . . . . Using the Motion Tracker/Stabilizer Controls (PB only) Tracking movement in footage . . . . . . Tracking for effect . . . . . . . . . Stabilizing shaky footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Part VI: Rendering for All Media . . . 752 756 756 766 772 777 Chapter 28: Juggling Format Issues .
Stabilizing shaky footage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Part VI: Rendering for All Media . . . 752 756 756 766 772 777 Chapter 28: Juggling Format Issues . . . . . . . . . . 779 What Are Formats? . . . . . . Understanding NTSC Video . . . . 97 fps versus 30 fps . . . . NTSC versus PAL and SECAM Video Understanding the DV format . . . . . . . . . . . . . . . . . . . . . . . . . .
Leveraging the Standard Audio Effects . . . Using the Backwards effect . . . . . Using the Bass & Treble effect . . . . Using the Delay effect . . . . . . Using the Stereo Mixer effect . . . . Plying the Production Bundle Audio Effects . . Using the Flange & Chorus effect (PB only) Using the High-Low Pass effect (PB only) . Using the Modulator effect (PB only) . . Using the Parametric EQ effect (PB only) . Using the Reverb effect (PB only). . . Using the Tone effect (PB only) .