By Mimi Thi Nguyen
This interdisciplinary assortment brings jointly individuals operating in Asian American stories, English, anthropology, sociology, and paintings historical past. they think about problems with cultural authenticity raised through Asian American participation in hip hop and jazz, the emergence of an orientalist “Indo-chic” in U.S. adolescence tradition, and the move of Vietnamese song type exhibits. They learn the connection among chinese language eating places and American tradition, problems with sexuality and race delivered to the fore within the video functionality paintings of a Bruce Lee–channeling drag king, and immigrant tv audience’ dismayed reactions to a chinese language American chef who's “not chinese language enough.” The essays in Alien Encounters show the significance of scholarly engagement with pop culture. Taking pop culture heavily finds how humans think and exhibit their affective relationships to historical past, id, and belonging.
Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang
Read or Download Alien Encounters: Popular Culture in Asian America PDF
Similar discrimination & racism books
In 1997, whilst the hot York instances defined Filipino American serial killer Andrew Cunanan as showing “to be in every single place and nowhere,” Allan Punzalan Isaac famous confusion concerning the Filipino presence within the usa, symptomatic of yankee imperialism’s invisibility to itself. In American Tropics, Isaac explores American fantasies concerning the Philippines and different “unincorporated” elements of the U.
As we mark the fiftieth anniversary of President Kennedy's government Order calling for a completely built-in place of work, it is time to verify which enterprises have contributed the main to this development and that have not. While it is real that extra girls and minorities are available on the most sensible of many enterprises, troubling styles have emerged.
Abigail L. Swingen’s insightful research offers a brand new framework for figuring out the origins of the British empire whereas exploring how England’s unique imperial designs stimulated modern English politics and debates approximately exertions, financial system, and in another country exchange. concentrating on the ideological connections among the expansion of unfree exertions within the English colonies—particularly using enslaved Africans—and the improvement of British imperialism through the early smooth interval, the writer examines the overlapping and sometimes competing agendas of planters, retailers, privateers, colonial officers, and imperial professionals within the 17th and eighteenth centuries.
No Taint of Compromise highlights the reasons and activities of these who performed instrumental if now not significant roles in antislavery politics—those who undertook the yeoman's paintings of organizing events, conserving conventions, modifying newspapers, and usually animating and agitating the dialogue of matters with regards to slavery.
- Multiculturalism in Global Society
- The Psychology of Personal Constructs: Volume One: Theory and Personality: 1
- By Order of the President: FDR and the Internment of Japanese Americans
- The Sociology of Gender: An Introduction to Theory and Research (Key Themes in Sociology)
- A misplaced massacre : struggling over the memory of Sand Creek, Edition: 1.12.2013
Extra info for Alien Encounters: Popular Culture in Asian America
Afro Filipino . . ’’ Produced by Arthur Baker—a seminal hip hop ﬁgure who later produced Afrika Bambataa’s ‘‘Planet Rock’’ and other old-school rap hits—‘‘Rap-O, ClapO’’ was Bataan’s ﬁrst foray into hip hop, recorded at the very beginning of the music’s recorded history. In fact, Bataan himself has claimed that the song was recorded prior to the release of both the Fatback Band’s ‘‘King Tim III (Personality Jock)’’—recognized as the ﬁrst rap record—and the Sugarhill Gang’s ‘‘Rapper’s Delight,’’ the ﬁrst breakout rap hit.
Yet, if these images could be from anywhere, the predominantly male, Chinese restaurant sta√ members feel their sense of localness acutely. Transported to small towns in the Midwest from urban areas in the United States and in China, the cooks and waiters talk about their feelings of social isolation, their lack of marriage partners, and their desire to build sus- 22 Nguyen and Tu tainable communities in ways that echo the concerns of Chinese bachelors of the last century. They are, in other words, bounded by the conditions of these particular places for, unlike the goods and images that these restaurants sell, their bodies are far less mobile.
There has been much discussion of Frank Chin and his cohorts—as well as the imagined opposition between cultural nationalism and feminism—elsewhere, most notably by Elaine H. Kim, King-kok Cheung, and Leslie Bow. For an overview of these arguments, and the often problematic binaries they construct, see Laura Hyun Yi Kang’s ‘‘Generic Fixations: Reading the Writing Self ’’ in her Compositional Subjects. Fusco, ‘‘At Your Service,’’ 200. Coates, ‘‘Just Another Quick-Witted, Egg-Roll-Joke-Making, Insult-Hurling Chinese-American Rapper,’’ 55–56.